Tipos de iluminação cinematográfica: 34 luzes para colar no prompt do Seedance 2.5 Edit (com os prompts)

The same take, re-lit. The ONLY thing that changes is the LIGHTING (and the color of the light). Camera framing, camera motion, person, room and performance stay exactly as in the source video. RULE 0, PERFORMANCE 1:1: the source video is the full performance capture. Second N of the output is second N of the source: nothing retimed, sped up, slowed, frozen or re-acted. Same man: same face, same black rectangular glasses, same beard, same short dark hair, no beautification. Same navy blue polo shirt. Same small black microphone held in his hand and the same dark ring on his finger. Every hand gesture, head turn and lip movement happens at the exact same moment as in the source, mouth in sync with the original audio. Keep the original handheld selfie framing and its natural small camera movement. THE ROOM: he sits on an orange sofa in a living room with tall sheer curtains, a window behind and a big green fiddle-leaf plant behind his head. The room stays the same; only how it is lit changes. IMPORTANT: the bright daylight from the window is GONE for the whole clip. It is evening, the curtains behind him are dark, and the only light on him is the named light, so every lighting style is strong and obviously different from a plain daytime room. LIGHTING TIMELINE (seconds from the start of this clip), each change is a dramatic, unmistakable change, switching on the second mark: 0-6s: NETFLIX PRESTIGE DRAMA: the room is dark at night, curtains black, a single soft warm key light from his left side sculpting half of his face, the other half falling into deep shadow, a cold blue rim of moonlight on the edge of his hair, subtle haze, rich cinematic contrast like a high-end streaming series. 6-7s: the room stays dark, the key light softens. 7-8s: HIGH-KEY: a blast of bright white studio light from the front, his face evenly and brightly lit, almost no shadows, the background behind him lit bright white. 8-9s: SOFT LIGHT: a huge soft light, very gentle wraparound light on his face against a darker background, beauty commercial. 9-10s: BUTTERFLY LIGHTING: a single light high above and straight in front, a clear butterfly-shaped shadow under his nose, cheekbones sculpted, background dark, glamour portrait. 10-12s: BOUNCE LIGHT: warm golden light bounced up from below and to the side, glowing on his face, background dark. FAILURE (none of this may appear): bright daylight from the window; any gesture missing, early, late, mirrored or done with the other hand; hands frozen where the source moves; mouth out of sync; a different face, glasses, hair, beard or shirt; the microphone disappearing; the camera framing changing; cuts; new people; light stands, lamps, softboxes or film equipment visible in frame; text, letters or logos; music.

The same take, re-lit. The ONLY thing that changes is the LIGHTING. Camera framing, camera motion, person, room and performance stay exactly as in the source video. RULE 0, PERFORMANCE 1:1: the source video is the full performance capture. Second N of the output is second N of the source: nothing retimed, sped up, slowed, frozen or re-acted. Same man: same face, same black rectangular glasses, same beard, same short dark hair, no beautification. Same navy blue polo shirt. Same small black microphone in his hand and the same dark ring on his finger. Every gesture and lip movement at the exact same moment as in the source, mouth in sync with the original audio. Keep the original handheld selfie framing. THE ROOM: he sits on an orange sofa in a living room with tall sheer curtains, a window behind and a big fiddle-leaf plant behind his head. IMPORTANT: the plain daylight of the room is GONE for the WHOLE clip. It is night, the window and curtains behind him are dark, and the ONLY light is the named light. Not a single frame may look like the normal daytime room. LIGHTING TIMELINE: each light switches ON EXACTLY at its time mark (seconds from the start of this clip), hard and unmistakable: 0.0-1.2: warm golden bounce light from below fading darker. 1.2: LOW KEY: room almost black, one hard light on part of his face, deep shadows. 1.95: REMBRANDT: a single warm key light high on one side, the far cheek in shadow with a small bright triangle of light under the eye, dark background. 2.6: SPLIT LIGHT: exactly half of his face lit from the side, the other half pitch black. 3.7: CHIAROSCURO: Renaissance painting light, one warm light against a near-black room. 4.6: SILHOUETTE: a bright glowing backdrop behind him, his whole figure a black silhouette, face unlit. 5.45: UNDERLIGHTING: a light from below his chin pointing up, horror shadows going up his face, dark room. 6.6: the light turns warm and romantic. 7.35: GOLDEN HOUR: low orange setting sun from the side through the window, glowing rim on his hair, long warm shadows. 8.25: WINDOW LIGHT: soft cool moonlike light from a single window at his side, gentle falloff, the rest dark. 9.15-11.5: DAPPLED LIGHT: dark room, strong leaf-shaped patches of sunlight and leaf shadows moving across his face and the wall, high contrast, everything outside the patches in shadow. FAILURE (none of this may appear): the normal daylight room; a light switching early or late; any gesture missing, early, late or mirrored; mouth out of sync; a different face, glasses, beard or shirt; the microphone disappearing; camera framing changing; cuts; new people; lamps, softboxes or film equipment visible; text, logos; music.

The same take, re-lit. The ONLY thing that changes is the LIGHTING (and the color of the light). Camera framing, camera motion, person, room and performance stay exactly as in the source video. RULE 0, PERFORMANCE 1:1: the source video is the full performance capture. Second N of the output is second N of the source: nothing retimed, sped up, slowed, frozen or re-acted. Same man: same face, same black rectangular glasses, same beard, same short dark hair, no beautification. Same navy blue polo shirt. Same small black microphone held in his hand and the same dark ring on his finger. Every hand gesture, head turn and lip movement happens at the exact same moment as in the source, mouth in sync with the original audio. Keep the original handheld selfie framing and its natural small camera movement. THE ROOM: he sits on an orange sofa in a living room with tall sheer white curtains, a window behind and a big green fiddle-leaf plant behind his head. The room stays the same; only how it is lit changes. When the light gets dark or colored, the room is still there, just lit differently. LIGHTING TIMELINE (seconds from the start of this clip). Each change is a clear, visible, cinematic change of the light on his face and on the room, switching on the second mark: 0-6s: the light returns to the plain natural daylight of the room, exactly like the source video (the real light of the room). 6-7s: GOLDEN HOUR warm low sun. 7-8s: NEON: pink and blue neon light on his face, dark room. 8-9s: SILHOUETTE against a bright window. 9-10s: MOONLIGHT: cold blue night light, dark room. 10-11s: FIRELIGHT: warm flickering orange light from below, like a campfire. 11-12s: TOTAL RED: the whole room in saturated red light. 12-15s: the room goes dark and only one hard white spotlight from above lights him, black around him. FAILURE (none of this may appear): any gesture missing, early, late, mirrored or done with the other hand; hands frozen where the source moves; mouth out of sync; a different face, glasses, hair, beard or shirt; the microphone disappearing; the camera framing changing; cuts; new people; light stands, lamps or film equipment appearing in frame; text, letters or logos; music.

The same take, re-lit. The ONLY thing that changes is the LIGHTING. Camera framing, camera motion, person, room and performance stay exactly as in the source video. RULE 0, PERFORMANCE 1:1: the source video is the full performance capture. Second N of the output is second N of the source: nothing retimed, sped up, slowed, frozen or re-acted. Same man: same face, same black rectangular glasses, same beard, same short dark hair, no beautification. Same navy blue polo shirt. Same small black microphone in his hand and the same dark ring on his finger. Every gesture and lip movement at the exact same moment as in the source, mouth in sync with the original audio. Keep the original handheld selfie framing. THE ROOM: he sits on an orange sofa in a living room with tall sheer curtains, a window behind and a big fiddle-leaf plant behind his head. IMPORTANT: the plain daylight of the room is GONE for the WHOLE clip. It is night, the window and curtains are dark, and the ONLY light is the named light. Not a single frame may look like the normal daytime room. LIGHTING TIMELINE: each light switches ON EXACTLY at its time mark (seconds from the start of this clip), hard and unmistakable: 0.0: NIGHT: dark room, faint cool ambient light. 0.75: BLUE HOUR: deep saturated blue twilight through the window, soft blue on his face. 1.5: MOONLIGHT: cold silver-white moonlight from the window, hard pale shadows, everything else dark blue-black. 1.9: DAY FOR NIGHT: everything graded dark steel blue like an old Hollywood night scene, low contrast. 2.95: FIRELIGHT: warm orange flickering campfire light from below and in front, dancing shadows, dark around. 4.3: film noir mood: black and smoky, gray haze in the air. 5.5: VENETIAN BLINDS: hard white light through window blinds, sharp horizontal stripes of light and shadow across his face and the wall. 6.25: BACKLIGHT: a strong light behind him, a bright rim around his hair and shoulders, his face dark. 7.05: VOLUMETRIC LIGHT: thick haze, visible beams and god rays from the window cutting through the dark room. 8.3: dark nightclub mood, deep purple darkness. 9.7: NEON: magenta and cyan neon tubes lighting him from both sides. 10.25: TEAL AND ORANGE: one side of his face warm orange, the other side teal, strong color contrast. 11.1: TOTAL RED: the whole frame in deep saturated red light. 12.0: SCREEN GLOW: room dark, his face lit only by the cold blue-white glow of a phone screen in front of him. 12.75: STROBE: fast hard white strobe flashes on and off. 13.65-16.4: STAGE LIGHT: concert stage lighting, colored beams cutting through haze from above, a bright spotlight on him. FAILURE (none of this may appear): the normal daylight room; a light switching early or late; any gesture missing, early, late or mirrored; mouth out of sync; a different face, glasses, beard or shirt; the microphone disappearing; camera framing changing; cuts; new people; lamps, light stands or film equipment visible; text, logos; music.

The same take, re-lit. The ONLY thing that changes is the LIGHTING (and the color of the light). Camera framing, camera motion, person, room and performance stay exactly as in the source video. RULE 0, PERFORMANCE 1:1: the source video is the full performance capture. Second N of the output is second N of the source: nothing retimed, sped up, slowed, frozen or re-acted. Same man: same face, same black rectangular glasses, same beard, same short dark hair, no beautification. Same navy blue polo shirt. Same small black microphone held in his hand and the same dark ring on his finger. Every hand gesture, head turn and lip movement happens at the exact same moment as in the source, mouth in sync with the original audio. Keep the original handheld selfie framing and its natural small camera movement. THE ROOM: he sits on an orange sofa in a living room with tall sheer white curtains, a window behind and a big green fiddle-leaf plant behind his head. The room stays the same; only how it is lit changes. When the light gets dark or colored, the room is still there, just lit differently. LIGHTING TIMELINE (seconds from the start of this clip). Each change is a clear, visible, cinematic change of the light on his face and on the room, switching on the second mark: 0-1s: NIGHT: the room is at night, dark with soft cool ambient light. 1-2s: BLUE HOUR: deep blue twilight light through the window, soft blue on his face. 2-3s: MOONLIGHT: cold silver moonlight from the window, strong shadows. 3-4s: DAY FOR NIGHT: daylight graded dark blue to look like night, like old Hollywood films. 4-5s: CAMPFIRE LIGHT: warm orange flickering light from below and in front, dark around. 5-6s: film noir mood: dark, smoky, gray haze. 6-7s: VENETIAN BLINDS: hard light through window blinds, horizontal stripes of light and shadow across his face and the wall, detective movie. 7-8s: BACKLIGHT: strong light behind him, a bright rim around his hair and shoulders, face darker. 8-9s: VOLUMETRIC LIGHT: visible light beams and god rays through haze from the window. 9-10s: dark nightclub mood. 10-11s: NEON: magenta and cyan neon tubes lighting him. 11-12s: BLUE AND ORANGE: one side of his face orange, the other side blue. 12-13s: TOTAL RED: everything in deep saturated red. 13-14s: SCREEN LIGHT: the room dark, his face lit only by the cold glow of a screen in front of him. 14-15s: STROBE: fast white strobe flashes. 15-16s: STAGE LIGHT: concert stage lights, colored beams in haze, a spotlight on him. FAILURE (none of this may appear): any gesture missing, early, late, mirrored or done with the other hand; hands frozen where the source moves; mouth out of sync; a different face, glasses, hair, beard or shirt; the microphone disappearing; the camera framing changing; cuts; new people; light stands, lamps or film equipment appearing in frame; text, letters or logos; music.