[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"blog:article:tipos-de-iluminacao-cinematografica-prompt":3},{"article":4},{"id":5,"slug":6,"title":7,"excerpt":8,"category":9,"tags":10,"cover":16,"author":20,"readingMinutes":24,"publishedAt":25,"featured":26,"blocks":27,"toc":271,"modelKeys":283,"skills":284,"updatedAt":285,"seo":286,"related":289,"commentCount":336},"6aef9c2b0a2a926de96ba56c","tipos-de-iluminacao-cinematografica-prompt","Tipos de iluminação cinematográfica: 34 luzes para colar no prompt do Seedance 2.5 Edit (com os prompts)","Gravei um take só, no sofá, com a luz da sala, e pedi a mesma cena com 34 luzes de cinema no Seedance 2.5 Edit da KAIROGEN. Aqui está a lista com os 34 nomes prontos para colar no prompt e os prompts que eu usei.","guias",[11,12,13,14,15],"iluminação cinematográfica","seedance 2.5","prompt","video com ia","kairogen",{"kind":17,"url":18,"alt":19},"image","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F4471ccca-51dc-4645-baa8-075c15b5486a.jpg","Tipos de iluminação cinematográfica: o mesmo take no sofá com luz neon, vermelho total, luz volumétrica e hora dourada, e o original pequeno no canto. Texto: 34 LUZES DE CINEMA",{"name":21,"handle":22,"avatarUrl":23},"Gabriel Adamuchi","adamuchi.gabriel","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F15a97e0a-60dc-40d4-9aaf-0147ee5260e5.jpg",6,"2026-11-07T22:58:22.767Z",false,[28,32,49,55,58,62,66,69,75,79,82,95,109,113,116,125,133,137,140,149,158,162,165,174,183,192,201,209,212,221,230,233,236,243,249,252,256,259,262,265,268],{"id":29,"type":30,"markdown":31},"abre","text","Os **tipos de iluminação cinematográfica** têm nome, e esse nome funciona no prompt. Eu gravei um vídeo uma vez só, sentado no sofá, com a luz normal da sala. Depois pedi ao Seedance 2.5 Edit, na KAIROGEN, a mesma cena com cada luz: cara de série, comercial, suspense, noite, neon.\n\nO rosto, o gesto e a boca ficam iguais ao original. Muda só a luz. Abaixo estão os 34 nomes, prontos para colar, e os prompts que eu usei em cada trecho.",{"id":33,"type":34,"title":35,"items":36},"como","steps","Como funciona",[37,40,43,46],{"title":38,"body":39},"Grave um take só","Câmera na mão ou no tripé, com a luz que você tiver em casa. Essa é a única filmagem de verdade.",{"title":41,"body":42},"Corte em trechos de 10 a 15 segundos","Cada geração refaz um trecho. No vídeo, o take de 64 segundos virou 5 trechos.",{"title":44,"body":45},"Escreva a linha do tempo da luz","No prompt, diga em que segundo cada luz acende, usando os nomes da lista. Marque o segundo em que você começa a falar o nome da luz.",{"title":47,"body":48},"Gere no Seedance 2.5 Edit","Suba o trecho como vídeo de referência na KAIROGEN, pelo estúdio de vídeo ou pelo Claude com o MCP, e cole o prompt.",{"id":50,"type":51,"text":52,"level":53,"eyebrow":54},"lista-h","heading","Os 34 tipos de luz no cinema, com o nome para o prompt",2,"01",{"id":56,"type":30,"markdown":57},"lista-t","O nome em português é para você entender a luz. O termo em inglês, entre crases, é o que vai no prompt.\n\n**Cara de série (Netflix)**\n\n- Drama de prestígio: `prestige drama`\n\n**Comercial**\n\n- Luz alta: `high key`\n- Luz suave: `soft light`\n- Luz borboleta: `butterfly lighting`\n- Luz rebatida: `bounce light`\n\n**Drama e suspense**\n\n- Luz baixa: `low key`\n- Rembrandt: `rembrandt lighting`\n- Luz dividida: `split light`\n- Claro-escuro: `chiaroscuro`\n- Silhueta: `silhouette`\n- Luz de baixo: `underlight`\n\n**Romance**\n\n- Hora dourada: `golden hour`\n- Luz de janela: `window light`\n- Luz entre as folhas: `dappled light`\n\n**Noite**\n\n- Hora azul: `blue hour`\n- Luar: `moonlight`\n- Noite americana: `day for night`\n- Luz de fogueira: `firelight`\n\n**Filme policial**\n\n- Persiana: `venetian blinds`\n- Contraluz: `backlight`\n- Luz volumétrica: `volumetric light`\n\n**Clipe e balada**\n\n- Neon: `neon light`\n- Azul e laranja: `teal and orange`\n- Vermelho total: `monochrome red`\n- Luz de tela: `screen glow`\n- Estroboscópio: `strobe light`\n- Luz de palco: `stage light`\n\n**Retrato e luz do dia a dia**\n\n- Luz em loop: `loop light`\n- Luz ampla: `broad light`\n- Luz curta: `short light`\n- Luz dura: `hard light`\n- Luz de cima: `top light`\n- Luz prática: `practical light`\n- Luz chapada: `flat light`",{"id":59,"type":13,"title":60,"prompt":61},"lista-p","Os 34 nomes em inglês, um por linha","prestige drama\nhigh key\nsoft light\nbutterfly lighting\nbounce light\nlow key\nrembrandt lighting\nsplit light\nchiaroscuro\nsilhouette\nunderlight\ngolden hour\nwindow light\ndappled light\nblue hour\nmoonlight\nday for night\nfirelight\nvenetian blinds\nbacklight\nvolumetric light\nneon light\nteal and orange\nmonochrome red\nscreen glow\nstrobe light\nstage light\nloop light\nbroad light\nshort light\nhard light\ntop light\npractical light\nflat light",{"id":63,"type":51,"text":64,"level":53,"eyebrow":65},"modelo-h","Como escrever o prompt de iluminação","02",{"id":67,"type":30,"markdown":68},"modelo-t","O prompt tem três partes. Primeiro, o que fica igual: a mesma pessoa, a mesma roupa, o mesmo enquadramento, cada gesto no mesmo segundo e a boca no tempo do áudio original. Depois, a sala, descrita do jeito que ela é. Por último, a linha do tempo da luz, com o segundo em que cada uma acende.\n\nOs quatro prompts abaixo são os que eu mandei, em inglês. Para o seu vídeo, troque a descrição da sala e da roupa e escolha as luzes na lista. Eles passam do tamanho que o botão de recriar leva, então copie o texto e cole no estúdio.",{"id":70,"type":71,"tone":72,"title":73,"markdown":74},"dica-luz","callout","tip","Apague a luz do dia no trecho inteiro","Escreva que é noite, que a janela está escura e que **a única luz da cena é a luz nomeada**. Assim cada luz aparece forte e diferente da outra. E marque o segundo em que a palavra começa, não o segundo cheio, para a luz acender junto com a fala.",{"id":76,"type":51,"text":77,"level":53,"eyebrow":78},"serie-h","Iluminação cinematográfica com IA: a cara de série","03",{"id":80,"type":30,"markdown":81},"serie-t","A sala de dia vira a luz de série de prestígio: uma luz suave de um lado do rosto, sombra do outro, um contorno azul no cabelo e um pouco de névoa. Arraste para comparar com o original no mesmo segundo.",{"id":83,"type":84,"before":85,"after":89,"beforeLabel":92,"afterLabel":93,"caption":94},"serie-c","compare",{"kind":86,"url":87,"posterUrl":88},"video","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Fb1fab141-1877-4417-afec-b73a0c3db028.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Fd9d0b9b8-29af-4ca7-9654-f71b0550bb20.jpg",{"kind":86,"url":90,"posterUrl":91},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F22286fae-6de9-47fc-87c5-d4b664257405.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F03581c60-4df6-4388-9c6c-ab727ab09078.jpg","Original","Com IA","Drama de prestígio",{"id":96,"type":13,"title":97,"studio":86,"modelKey":98,"modelName":99,"prompt":100,"params":101,"references":105,"generationId":108,"resultUrl":90,"resultKind":86},"serie-p","Prompt da luz de série e de comercial","seedance-2-5","Seedance 2.5 Edit","The same take, re-lit. The ONLY thing that changes is the LIGHTING (and the color of the light). Camera framing, camera motion, person, room and performance stay exactly as in the source video.\n\nRULE 0, PERFORMANCE 1:1: the source video is the full performance capture. Second N of the output is second N of the source: nothing retimed, sped up, slowed, frozen or re-acted. Same man: same face, same black rectangular glasses, same beard, same short dark hair, no beautification. Same navy blue polo shirt. Same small black microphone held in his hand and the same dark ring on his finger. Every hand gesture, head turn and lip movement happens at the exact same moment as in the source, mouth in sync with the original audio. Keep the original handheld selfie framing and its natural small camera movement.\n\nTHE ROOM: he sits on an orange sofa in a living room with tall sheer curtains, a window behind and a big green fiddle-leaf plant behind his head. The room stays the same; only how it is lit changes. IMPORTANT: the bright daylight from the window is GONE for the whole clip. It is evening, the curtains behind him are dark, and the only light on him is the named light, so every lighting style is strong and obviously different from a plain daytime room.\n\nLIGHTING TIMELINE (seconds from the start of this clip), each change is a dramatic, unmistakable change, switching on the second mark:\n0-6s: NETFLIX PRESTIGE DRAMA: the room is dark at night, curtains black, a single soft warm key light from his left side sculpting half of his face, the other half falling into deep shadow, a cold blue rim of moonlight on the edge of his hair, subtle haze, rich cinematic contrast like a high-end streaming series.\n6-7s: the room stays dark, the key light softens.\n7-8s: HIGH-KEY: a blast of bright white studio light from the front, his face evenly and brightly lit, almost no shadows, the background behind him lit bright white.\n8-9s: SOFT LIGHT: a huge soft light, very gentle wraparound light on his face against a darker background, beauty commercial.\n9-10s: BUTTERFLY LIGHTING: a single light high above and straight in front, a clear butterfly-shaped shadow under his nose, cheekbones sculpted, background dark, glamour portrait.\n10-12s: BOUNCE LIGHT: warm golden light bounced up from below and to the side, glowing on his face, background dark.\n\nFAILURE (none of this may appear): bright daylight from the window; any gesture missing, early, late, mirrored or done with the other hand; hands frozen where the source moves; mouth out of sync; a different face, glasses, hair, beard or shirt; the microphone disappearing; the camera framing changing; cuts; new people; light stands, lamps, softboxes or film equipment visible in frame; text, letters or logos; music.",{"aspectRatio":102,"resolution":103,"duration":104},"9:16","1080p",12,[106],{"kind":86,"url":87,"label":107},"Vídeo de referência: o trecho do take original","6aef60340a2a926de9688513",{"id":110,"type":51,"text":111,"level":53,"eyebrow":112},"dourada-h","Hora dourada no prompt de iluminação","04",{"id":114,"type":30,"markdown":115},"dourada-t","O sol baixo entra pela janela e deixa o rosto laranja, com um brilho no contorno do cabelo. No prompt, a hora dourada acende no segundo em que eu falo o nome dela, depois da sequência de drama e suspense.",{"id":117,"type":84,"before":118,"after":121,"beforeLabel":92,"afterLabel":93,"caption":124},"dourada-c",{"kind":86,"url":119,"posterUrl":120},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F2730b752-6f72-484c-82d8-1f0c5d20ac4d.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Ff8f88d80-8a49-4494-bc30-8a2ab393bbaf.jpg",{"kind":86,"url":122,"posterUrl":123},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F05cf0bb8-cfb0-4e03-8eba-c2691a2b125d.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F0bc9fda6-3b88-475e-b2c2-e788bc880ffc.jpg","Hora dourada",{"id":126,"type":13,"title":127,"studio":86,"modelKey":98,"modelName":99,"prompt":128,"params":129,"references":130,"generationId":132,"resultUrl":122,"resultKind":86},"dourada-p","Prompt de drama, suspense e romance","The same take, re-lit. The ONLY thing that changes is the LIGHTING. Camera framing, camera motion, person, room and performance stay exactly as in the source video.\n\nRULE 0, PERFORMANCE 1:1: the source video is the full performance capture. Second N of the output is second N of the source: nothing retimed, sped up, slowed, frozen or re-acted. Same man: same face, same black rectangular glasses, same beard, same short dark hair, no beautification. Same navy blue polo shirt. Same small black microphone in his hand and the same dark ring on his finger. Every gesture and lip movement at the exact same moment as in the source, mouth in sync with the original audio. Keep the original handheld selfie framing.\n\nTHE ROOM: he sits on an orange sofa in a living room with tall sheer curtains, a window behind and a big fiddle-leaf plant behind his head. IMPORTANT: the plain daylight of the room is GONE for the WHOLE clip. It is night, the window and curtains behind him are dark, and the ONLY light is the named light. Not a single frame may look like the normal daytime room.\n\nLIGHTING TIMELINE: each light switches ON EXACTLY at its time mark (seconds from the start of this clip), hard and unmistakable:\n0.0-1.2: warm golden bounce light from below fading darker.\n1.2: LOW KEY: room almost black, one hard light on part of his face, deep shadows.\n1.95: REMBRANDT: a single warm key light high on one side, the far cheek in shadow with a small bright triangle of light under the eye, dark background.\n2.6: SPLIT LIGHT: exactly half of his face lit from the side, the other half pitch black.\n3.7: CHIAROSCURO: Renaissance painting light, one warm light against a near-black room.\n4.6: SILHOUETTE: a bright glowing backdrop behind him, his whole figure a black silhouette, face unlit.\n5.45: UNDERLIGHTING: a light from below his chin pointing up, horror shadows going up his face, dark room.\n6.6: the light turns warm and romantic.\n7.35: GOLDEN HOUR: low orange setting sun from the side through the window, glowing rim on his hair, long warm shadows.\n8.25: WINDOW LIGHT: soft cool moonlike light from a single window at his side, gentle falloff, the rest dark.\n9.15-11.5: DAPPLED LIGHT: dark room, strong leaf-shaped patches of sunlight and leaf shadows moving across his face and the wall, high contrast, everything outside the patches in shadow.\n\nFAILURE (none of this may appear): the normal daylight room; a light switching early or late; any gesture missing, early, late or mirrored; mouth out of sync; a different face, glasses, beard or shirt; the microphone disappearing; camera framing changing; cuts; new people; lamps, softboxes or film equipment visible; text, logos; music.",{"aspectRatio":102,"resolution":103,"duration":104},[131],{"kind":86,"url":119,"label":107},"6aef83539e9b98d9c15c35d1",{"id":134,"type":51,"text":135,"level":53,"eyebrow":136},"neon-h","Luz neon sem montar nada","05",{"id":138,"type":30,"markdown":139},"neon-t","Tubos de neon rosa e azul dos dois lados, com a sala escura. É a luz de clipe musical que mais muda o vídeo com uma palavra só.",{"id":141,"type":84,"before":142,"after":145,"beforeLabel":92,"afterLabel":93,"caption":148},"neon-c",{"kind":86,"url":143,"posterUrl":144},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Fab397b0d-c91f-4d92-85c1-8f0a360b575e.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F41d51006-1912-441a-8687-de0333694cd0.jpg",{"kind":86,"url":146,"posterUrl":147},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F4c09b563-6ced-44bd-8430-76b6b85d0a21.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Fbd80f005-908c-4b8a-b8bd-1c73455858b5.jpg","Neon",{"id":150,"type":13,"title":151,"studio":86,"modelKey":98,"modelName":99,"prompt":152,"params":153,"references":155,"generationId":157,"resultUrl":146,"resultKind":86},"neon-p","Prompt do neon","The same take, re-lit. The ONLY thing that changes is the LIGHTING (and the color of the light). Camera framing, camera motion, person, room and performance stay exactly as in the source video.\n\nRULE 0, PERFORMANCE 1:1: the source video is the full performance capture. Second N of the output is second N of the source: nothing retimed, sped up, slowed, frozen or re-acted. Same man: same face, same black rectangular glasses, same beard, same short dark hair, no beautification. Same navy blue polo shirt. Same small black microphone held in his hand and the same dark ring on his finger. Every hand gesture, head turn and lip movement happens at the exact same moment as in the source, mouth in sync with the original audio. Keep the original handheld selfie framing and its natural small camera movement.\n\nTHE ROOM: he sits on an orange sofa in a living room with tall sheer white curtains, a window behind and a big green fiddle-leaf plant behind his head. The room stays the same; only how it is lit changes. When the light gets dark or colored, the room is still there, just lit differently.\n\nLIGHTING TIMELINE (seconds from the start of this clip). Each change is a clear, visible, cinematic change of the light on his face and on the room, switching on the second mark:\n0-6s: the light returns to the plain natural daylight of the room, exactly like the source video (the real light of the room).\n6-7s: GOLDEN HOUR warm low sun.\n7-8s: NEON: pink and blue neon light on his face, dark room.\n8-9s: SILHOUETTE against a bright window.\n9-10s: MOONLIGHT: cold blue night light, dark room.\n10-11s: FIRELIGHT: warm flickering orange light from below, like a campfire.\n11-12s: TOTAL RED: the whole room in saturated red light.\n12-15s: the room goes dark and only one hard white spotlight from above lights him, black around him.\n\nFAILURE (none of this may appear): any gesture missing, early, late, mirrored or done with the other hand; hands frozen where the source moves; mouth out of sync; a different face, glasses, hair, beard or shirt; the microphone disappearing; the camera framing changing; cuts; new people; light stands, lamps or film equipment appearing in frame; text, letters or logos; music.",{"aspectRatio":102,"resolution":103,"duration":154},15,[156],{"kind":86,"url":143,"label":107},"6aef60819e9b98d9c15a88d0",{"id":159,"type":51,"text":160,"level":53,"eyebrow":161},"noite-h","Tipos de luz no cinema para noite, filme policial e clipe","06",{"id":163,"type":30,"markdown":164},"noite-t","Um trecho só, com um prompt só, passa por 13 luzes. Estas são quatro delas: a hora azul, a fogueira, o azul e laranja e o vermelho total.",{"id":166,"type":84,"before":167,"after":170,"beforeLabel":92,"afterLabel":93,"caption":173},"azul-c",{"kind":86,"url":168,"posterUrl":169},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Faa95b4e0-1941-4944-b0fa-a0ab26b6ccf8.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F97dfd5a2-9e64-4f30-96f6-1842b34f9e40.jpg",{"kind":86,"url":171,"posterUrl":172},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F2b8ef59a-dbb9-4a22-9d9e-8f5ff6481306.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Fc2323ccd-bf1b-4cca-9481-fe5ae6f520c5.jpg","Hora azul",{"id":175,"type":84,"before":176,"after":179,"beforeLabel":92,"afterLabel":93,"caption":182},"fogueira-c",{"kind":86,"url":177,"posterUrl":178},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F7e98530c-3d36-4f73-9b70-5819628a11cc.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Fe3da78b1-87a2-4e64-a079-67df4048ac10.jpg",{"kind":86,"url":180,"posterUrl":181},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F9de02349-5a61-46f4-a445-7d982f29d2af.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Fede632cf-adcb-4f55-89d5-c346a7600646.jpg","Luz de fogueira",{"id":184,"type":84,"before":185,"after":188,"beforeLabel":92,"afterLabel":93,"caption":191},"azullaranja-c",{"kind":86,"url":186,"posterUrl":187},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F6022080e-f39a-480e-a0e0-c0b51408e933.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F82d357cf-4360-45ae-af54-60a9ebc3e9e4.jpg",{"kind":86,"url":189,"posterUrl":190},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Fb30a56f4-d0a9-4aae-b274-f854aa302cf5.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F768bf760-423c-4915-aaf0-51c1ef7ca4b0.jpg","Azul e laranja",{"id":193,"type":84,"before":194,"after":197,"beforeLabel":92,"afterLabel":93,"caption":200},"vermelho-c",{"kind":86,"url":195,"posterUrl":196},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Fddb9420c-ba1f-4e40-abd6-45a2451306dd.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F0838ce2e-d4dd-4d92-ace1-24162beadc1f.jpg",{"kind":86,"url":198,"posterUrl":199},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Ffab3d187-2b48-4bb2-8752-37bd94353ef1.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F40ddc935-0f90-44ba-9a4c-ebd183572eb8.jpg","Vermelho total",{"id":202,"type":13,"title":203,"studio":86,"modelKey":98,"modelName":99,"prompt":204,"params":205,"references":206,"generationId":208,"resultUrl":180,"resultKind":86},"noite-p","Prompt de noite, policial e clipe","The same take, re-lit. The ONLY thing that changes is the LIGHTING. Camera framing, camera motion, person, room and performance stay exactly as in the source video.\n\nRULE 0, PERFORMANCE 1:1: the source video is the full performance capture. Second N of the output is second N of the source: nothing retimed, sped up, slowed, frozen or re-acted. Same man: same face, same black rectangular glasses, same beard, same short dark hair, no beautification. Same navy blue polo shirt. Same small black microphone in his hand and the same dark ring on his finger. Every gesture and lip movement at the exact same moment as in the source, mouth in sync with the original audio. Keep the original handheld selfie framing.\n\nTHE ROOM: he sits on an orange sofa in a living room with tall sheer curtains, a window behind and a big fiddle-leaf plant behind his head. IMPORTANT: the plain daylight of the room is GONE for the WHOLE clip. It is night, the window and curtains are dark, and the ONLY light is the named light. Not a single frame may look like the normal daytime room.\n\nLIGHTING TIMELINE: each light switches ON EXACTLY at its time mark (seconds from the start of this clip), hard and unmistakable:\n0.0: NIGHT: dark room, faint cool ambient light.\n0.75: BLUE HOUR: deep saturated blue twilight through the window, soft blue on his face.\n1.5: MOONLIGHT: cold silver-white moonlight from the window, hard pale shadows, everything else dark blue-black.\n1.9: DAY FOR NIGHT: everything graded dark steel blue like an old Hollywood night scene, low contrast.\n2.95: FIRELIGHT: warm orange flickering campfire light from below and in front, dancing shadows, dark around.\n4.3: film noir mood: black and smoky, gray haze in the air.\n5.5: VENETIAN BLINDS: hard white light through window blinds, sharp horizontal stripes of light and shadow across his face and the wall.\n6.25: BACKLIGHT: a strong light behind him, a bright rim around his hair and shoulders, his face dark.\n7.05: VOLUMETRIC LIGHT: thick haze, visible beams and god rays from the window cutting through the dark room.\n8.3: dark nightclub mood, deep purple darkness.\n9.7: NEON: magenta and cyan neon tubes lighting him from both sides.\n10.25: TEAL AND ORANGE: one side of his face warm orange, the other side teal, strong color contrast.\n11.1: TOTAL RED: the whole frame in deep saturated red light.\n12.0: SCREEN GLOW: room dark, his face lit only by the cold blue-white glow of a phone screen in front of him.\n12.75: STROBE: fast hard white strobe flashes on and off.\n13.65-16.4: STAGE LIGHT: concert stage lighting, colored beams cutting through haze from above, a bright spotlight on him.\n\nFAILURE (none of this may appear): the normal daylight room; a light switching early or late; any gesture missing, early, late or mirrored; mouth out of sync; a different face, glasses, beard or shirt; the microphone disappearing; camera framing changing; cuts; new people; lamps, light stands or film equipment visible; text, logos; music.",{"aspectRatio":102,"resolution":103,"duration":154},[207],{"kind":86,"url":177,"label":107},"6aef83580a2a926de96a270c",{"id":210,"type":30,"markdown":211},"vol-t","A luz volumétrica vem de outro prompt para o mesmo trecho, com uma luz por segundo: os raios entram pela janela e atravessam a névoa, com o rosto ainda iluminado.",{"id":213,"type":84,"before":214,"after":217,"beforeLabel":92,"afterLabel":93,"caption":220},"vol-c",{"kind":86,"url":215,"posterUrl":216},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Fd3b2b3ff-6448-4104-9982-37c7f3c7a8de.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F50dde2ae-e0eb-4410-b2f7-3a24997e916c.jpg",{"kind":86,"url":218,"posterUrl":219},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F84a8165d-7048-460e-8e4e-106492e4a492.mp4","https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F560f1e84-e020-4341-acc0-25d0948f62e7.jpg","Luz volumétrica",{"id":222,"type":13,"title":223,"studio":86,"modelKey":98,"modelName":99,"prompt":224,"params":225,"references":227,"generationId":229,"resultUrl":218,"resultKind":86},"vol-p","Prompt da luz volumétrica","The same take, re-lit. The ONLY thing that changes is the LIGHTING (and the color of the light). Camera framing, camera motion, person, room and performance stay exactly as in the source video.\n\nRULE 0, PERFORMANCE 1:1: the source video is the full performance capture. Second N of the output is second N of the source: nothing retimed, sped up, slowed, frozen or re-acted. Same man: same face, same black rectangular glasses, same beard, same short dark hair, no beautification. Same navy blue polo shirt. Same small black microphone held in his hand and the same dark ring on his finger. Every hand gesture, head turn and lip movement happens at the exact same moment as in the source, mouth in sync with the original audio. Keep the original handheld selfie framing and its natural small camera movement.\n\nTHE ROOM: he sits on an orange sofa in a living room with tall sheer white curtains, a window behind and a big green fiddle-leaf plant behind his head. The room stays the same; only how it is lit changes. When the light gets dark or colored, the room is still there, just lit differently.\n\nLIGHTING TIMELINE (seconds from the start of this clip). Each change is a clear, visible, cinematic change of the light on his face and on the room, switching on the second mark:\n0-1s: NIGHT: the room is at night, dark with soft cool ambient light.\n1-2s: BLUE HOUR: deep blue twilight light through the window, soft blue on his face.\n2-3s: MOONLIGHT: cold silver moonlight from the window, strong shadows.\n3-4s: DAY FOR NIGHT: daylight graded dark blue to look like night, like old Hollywood films.\n4-5s: CAMPFIRE LIGHT: warm orange flickering light from below and in front, dark around.\n5-6s: film noir mood: dark, smoky, gray haze.\n6-7s: VENETIAN BLINDS: hard light through window blinds, horizontal stripes of light and shadow across his face and the wall, detective movie.\n7-8s: BACKLIGHT: strong light behind him, a bright rim around his hair and shoulders, face darker.\n8-9s: VOLUMETRIC LIGHT: visible light beams and god rays through haze from the window.\n9-10s: dark nightclub mood.\n10-11s: NEON: magenta and cyan neon tubes lighting him.\n11-12s: BLUE AND ORANGE: one side of his face orange, the other side blue.\n12-13s: TOTAL RED: everything in deep saturated red.\n13-14s: SCREEN LIGHT: the room dark, his face lit only by the cold glow of a screen in front of him.\n14-15s: STROBE: fast white strobe flashes.\n15-16s: STAGE LIGHT: concert stage lights, colored beams in haze, a spotlight on him.\n\nFAILURE (none of this may appear): any gesture missing, early, late, mirrored or done with the other hand; hands frozen where the source moves; mouth out of sync; a different face, glasses, hair, beard or shirt; the microphone disappearing; the camera framing changing; cuts; new people; light stands, lamps or film equipment appearing in frame; text, letters or logos; music.",{"aspectRatio":102,"resolution":103,"duration":226},16,[228],{"kind":86,"url":215,"label":107},"6aef60850a2a926de968887c",{"id":231,"type":51,"text":232,"level":53},"usado-h","O que foi usado",{"id":234,"type":30,"markdown":235},"usado-t","Um take de 64 segundos gravado no sofá, o **Seedance 2.5 Edit** da KAIROGEN em 1080p e o Claude conectado na KAIROGEN pelo MCP para mandar os trechos. Para mudar o ângulo da câmera e o lugar do mesmo take, veja o guia [vídeo parado vira dinâmico com vários ângulos](\u002Fblog\u002Fvideo-parado-vira-dinamico-varios-angulos).",{"id":237,"type":238,"name":239,"description":240,"command":241,"url":242},"sk1","skill","MCP da KAIROGEN no Claude","Conecta o Claude à KAIROGEN para gerar imagem e vídeo direto da conversa.","https:\u002F\u002Fmcp.kairogen.ai\u002Fmcp","https:\u002F\u002Fapp.kairogen.ai\u002Fmcp",{"id":244,"type":244,"title":245,"text":246,"buttonLabel":247,"href":248},"cta","Troque a luz do seu vídeo","Suba um take seu no Seedance 2.5 Edit e cole a linha do tempo com os nomes da lista.","Testar no estúdio de vídeo","\u002Fstudio\u002Fvideo?model=seedance-2-5",{"id":250,"type":51,"text":251,"level":53},"faq-h","Perguntas frequentes",{"id":253,"type":51,"text":254,"level":255},"faq1-h","Quais são os tipos de iluminação cinematográfica mais usados?",3,{"id":257,"type":30,"markdown":258},"faq1-t","Os básicos de retrato são luz alta, luz baixa, Rembrandt, luz borboleta, luz dividida e contraluz. Para clima, entram hora dourada, hora azul, luar, persiana e neon. A lista acima traz os 34, com o termo em inglês de cada um.",{"id":260,"type":51,"text":261,"level":255},"faq2-h","Preciso gravar com uma luz boa para trocar a iluminação com IA?",{"id":263,"type":30,"markdown":264},"faq2-t","Não. O take do exemplo foi gravado com a luz normal da sala, de dia. O que importa é a imagem nítida e o rosto visível, porque o Seedance 2.5 Edit mantém o rosto, o gesto e a boca do original.",{"id":266,"type":51,"text":267,"level":255},"faq3-h","Quanto custa trocar a luz de um vídeo no Seedance 2.5 Edit?",{"id":269,"type":30,"markdown":270},"faq3-t","Na minha conta, o trecho de 11 segundos em 1080p custou 595 créditos. Para testar a linha do tempo, gere antes em 480p, que sai bem mais barato, e só depois passe para 1080p.",[272,273,274,275,276,277,278,279,280,281,282],{"id":50,"text":52,"level":53},{"id":63,"text":64,"level":53},{"id":76,"text":77,"level":53},{"id":110,"text":111,"level":53},{"id":134,"text":135,"level":53},{"id":159,"text":160,"level":53},{"id":231,"text":232,"level":53},{"id":250,"text":251,"level":53},{"id":253,"text":254,"level":255},{"id":260,"text":261,"level":255},{"id":266,"text":267,"level":255},[98],[239],"2026-11-07T22:58:22.769Z",{"title":287,"description":288,"noindex":26},"Tipos de iluminação cinematográfica: 34 luzes para o prompt","Os 34 tipos de iluminação cinematográfica com o nome em inglês para colar no prompt, e os prompts que refazem a luz do seu vídeo no Seedance 2.5 Edit.",[290,305,319],{"id":291,"slug":292,"title":293,"excerpt":294,"category":9,"tags":295,"cover":299,"author":302,"readingMinutes":303,"publishedAt":304,"featured":26},"6aef9c380a2a926de96ba683","criar-ugc-com-ia-persona-de-marca","Criar UGC com IA: um take vira as personas da sua marca no Seedance 2.5 Edit (com os prompts)","Gravei um vídeo só, na sala, e virei um homem de 70 anos, um Gen Z, uma modelo de vestido verde e o garoto-propaganda de terno, até falando espanhol. Aqui estão os prompts de cada persona no Seedance 2.5 Edit da KAIROGEN.",[296,297,12,298,15],"ugc com ia","persona de marca","criativo ugc",{"kind":17,"url":300,"alt":301},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Fe627e617-4ffc-420f-98e8-43991c0a60e6.jpg","Criar UGC com IA: o mesmo take na sala, original, envelhecido com barba branca, com visual Gen Z e como uma modelo de vestido verde num terraço. Texto: PERSONAS DA MARCA",{"name":21,"handle":22,"avatarUrl":23},5,"2026-11-07T22:58:23.326Z",{"id":306,"slug":307,"title":308,"excerpt":309,"category":9,"tags":310,"cover":313,"author":316,"readingMinutes":317,"publishedAt":318,"featured":26},"6aef96929e9b98d9c15d7ec3","como-fazer-filme-com-ia-fita-antiga","Como fazer filme com IA a partir de uma fita antiga: Seedance 2.5 (com os prompts)","Fiz um filme inteiro com IA a partir da história de uma fita de 1998, sem gravar nada. Aqui estão as referências, o prompt de cada plano e o jeito de passar o rascunho pra 1080p no Seedance 2.5 da KAIROGEN.",[12,311,312,14,15],"filme com ia","vhs",{"kind":17,"url":314,"alt":315},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002Fb9b8022d-6506-4ec0-b7d0-062f785f76b0.jpg","Fazer filme com IA: à esquerda, a fita de 1998 com o foguete de papelão desabado no quintal; à direita, o mesmo foguete decolando de verdade. Texto: A FITA VIROU FILME",{"name":21,"handle":22,"avatarUrl":23},4,"2026-11-07T21:24:29.748Z",{"id":320,"slug":321,"title":322,"excerpt":323,"category":9,"tags":324,"cover":331,"author":334,"readingMinutes":24,"publishedAt":335,"featured":26},"6aef92469e9b98d9c15d1ed6","transformar-roteiro-em-video-com-ia","Transformar roteiro em vídeo com IA: Claude + KAIROGEN + Seedance 2.5 (com os prompts)","Pedi para o Claude fazer um vídeo e ele disse que não fazia. Conectei a KAIROGEN, mandei uma foto minha e o roteiro e escrevi uma frase. Aqui está o passo a passo, do conector ao vídeo, com os prompts exatos.",[325,326,327,328,329,12,330],"transformar roteiro em vídeo","roteiro em vídeo com ia","claude","mcp","conector personalizado","nano banana 2",{"kind":17,"url":332,"alt":333},"https:\u002F\u002Fcdn.kairogen.ai\u002Fblog\u002F2026\u002F11\u002F9f50ea7f-6d12-47fe-9b6e-ba50d977d8c7.jpg","Transformar roteiro em vídeo com IA: à esquerda Gabriel no notebook, à direita ele numa moto numa cidade do futuro com o Cristo Redentor ao fundo, com uma seta e o título ROTEIRO VIRA VÍDEO",{"name":21,"handle":22,"avatarUrl":23},"2026-11-07T21:15:19.626Z",0]